Quilapayún (Spanish pronunciation:) are an instrumental and vocal folk music group from Chile and among the longest lasting and most influential exponents of the Nueva Canción Chilena (New Song) movem . .   Expand    Wikipedia

Quilapayún (Spanish pronunciation:) are an instrumental and vocal folk music group from Chile and among the longest lasting and most influential exponents of the Nueva Canción Chilena (New Song) movement. Formed in Chile during the mid-1960s, the group became inseparable with the revolution that occurred in the popular music of the country under the Popular Unity Government of Salvador Allende. Since its formation and during its forty year long history - both in Chile and during its lengthy period of exile in France - the group has seen modifications to its personnel lineup, to the subject and content of its work, and controversy regarding irreconciliable differences with the current and former group director; which has led each to maintain a distinctive - yet equally impressive - Quilapayún ensemble: one in Chile (named: Quilapayún-Histórico) and one in France (named: Quilapayún-France). Quilapayún originated in 1965 when Julio Numhauser, and the brothers Julio and Eduardo Carrasco formed a folk music trio which they simply called "the three bearded men" (viz. Quila-Payún) in the mapuche language (viz. Mapudungun – the language of the people native to the region that is now the south of Chile, the Araucanians). Their first public performances were at the Universidad de Chile in Valparaíso organized by their first musical director, Ángel Parra (The son of Violeta Parra). In 1966 Patricio Castillo joined the group and they began performing and winning notoriety for their Andean music as well as their black ponchos which became the group's trademark. During this time they won their first prize, La Guitarra de Oro (The Golden Guitar) in the Primer Festival Nacional del Folkore "Chile Múltiple". (First National Festival of Folklore), they also made their first recording, appearing in one song of Ángel Parra, "El Pueblo" ("The People").

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